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Video Game Music: A Potential Frontier for Creative Mashups and Remixes
PhD Qualifying Examination
Title: "Video Game Music: A Potential Frontier for Creative Mashups and Remixes"
by
Mr. Anh Dung DINH
Abstract:
In the modern age of widespread technology access, digital streaming platforms
like YouTube, SoundCloud, or TikTok have allowed music enjoyers to freely
consume and create musical content. Remixes — transformative compositions
derived from preexisting recordings — are often shared around on these
platforms; this includes different formats from re-arrangement of the original
melody that apply new instrumentation and compositional styles, to combination
of multiple tracks, known as a mashup. The recognizability of source material
strongly influences engagement: remixes of well-known works typically attract
great attention and ratings. While certain genres like pop music or classical
music are recognizable to most of the public, remixes involving other genres
can enrich the diversity of derivative musical works and engage niche online
communities. Video game music constitutes a distinct and growing repertoire
that appeals to younger demographics and has inspired numerous
reinterpretations of iconic themes, which are then shared on the Internet.
This survey provides a comprehensive review of techniques and tools for
producing such reworkings, including music extraction, source separation, and
polyphonic pitching. Furthermore, we will discuss and evaluate how recent
advances in signal processing and machine learning can add creative ways to
make and utilize these remixes, as well as lower technical barriers and
broaden access to this form of music for audio practitioners and video game
players.
Date: Thursday, 4 June 2026
Time: 12:30pm - 2:30pm
Venue: Room 3494
Lifts 25/26
Committee Members: Prof. Andrew Brian Horner (Supervisor)
Prof. Gary Chan (Chairperson)
Dr. Arpit Narechania